'Kanthapura'
(non-violence) & 'Grain of Wheat' (Violence) Freedom fighting movements
BHUMI DANGI
M.A. SEMESTER-4
PAPER-14
AFRICAN LITERATURE
BHUMI DANGI
M.A. SEMESTER-4
PAPER-14
AFRICAN LITERATURE
TO EVALUATE MY ASSIGNMENT,
·
Introduction of writers
· Ngũgĩ
Wa Thiongo
Ngũgĩ WA Thiongo was
born in Kenya in 1938 into a large poor family. He is currently a distinguished
Professor of English and Literature at the University of California, Irvine.
His work includes novels, plays, short stories, and essays, ranging from
literary and social criticism to children’s’ literature. He is the founder and
editor of the Gikuyu-language journal Mũtĩiri. In recent, Ngũgĩ has
frequently been regarded as a likely candidate for the Nobel Prize in
Literature.
A Grain of Wheat is
a novel by Kenyan novelist Ngũgĩ WA Thiongo first
published in 1967 as a part of the Heinemann African Writers Series. It is
a great introduction to African literature. It portrays the politics about
struggle for independence and liberation in Kenya and revolt against the
British imperialism. The plot revolves around his home villages preparations
for Kenya’s Independence Day celebration called Uhuru day. The story
clearly illustrates the struggle before and after independence in
Kenya. The present time of the story takes place before Kenya’s
independence from the British Empire in December 1963. The past time takes
place during the emergency in the 1950s during the Mau Mau rebellion against
the European settlers.
·
Raja Rao
Raja Rao was born in
1908 in Hassan, Karnataka. Rao studied English at Nizam
College, Hyderabad, and then at the University of Madras. He left
India for France to study literature and history at the University of
Montpellier and the Sorbonne. He lost his mother at the age of 4; this
could be the reason for the absence of mother and orphan hood being repeating
in his work. From his grandfather, Rao attained a spiritual foundation in
Indian philosophy that is also apparent in all of his work.
In 1988 he
received the prestigious International Neustadt Prize for Literature.
Earlier in 1964, Rao won the prestigious Sahitya Akademi Award which is India's
highest literary honor for The Serpent and the Rope. Rao received several honors
viz. the Padma Bhushan, in 1969; a fellowship in the Sahitya Akademi, India’s
national academy of letters, in 1997; and was awarded PadmaVibhushan
posthumously in 2007. Rao died on 8 July 2006 at Austin, Texas, at the age of
97.
Kanthapura, the first
major Indian novel in English was written in the colonial India in
1930. It was the time during the Civil Disobedience Movement of the 1930.It is
a fictional account of a quaint little village in the southern part of India
and how the village rises against the British when the cries of the people
during the Indian freedom struggle reach its doorstep. The writing is very
lyrical and poetic. Raja Rao in his Kanthapura, created a form of modernism –
ironic, skeptical and innovative technique such as puranic texture and
recurrent use of Hindu myths and legends which is Indian in subject – matter
local language usage, local history, racial or national pride, political
independence and demands for social justice are among the characteristics of
the novel, as are concern with national mythology, with documenting local ways,
usually in a realistic literary style.
Comparison:
Moorthy
is the main character of Kanthapura, a young Brahmin man who leaves the
village of Kanthapura to study in the city and comes back a firm believer in
the ways of Mahatma Gandhi.
Well-regarded in the
city, Moorthy’s influence allows him to gain many followers as he preaches a
way of life that ignores caste and class and rejects Britain’s colonialist rule
over India. He is a firm believer in nonviolence and practices
what he preaches when it comes to treating all castes as equal—even embracing
the Pariah class.
Mugo,
the book’s central character, connects in some way to almost every other
character. He betrays Kihika, is violently beaten by John Thompson,
hears the confessions of Gikonyo and Mumbi, intervenes in the savage beating of
Kihika’s girlfriend, and forms a strange, spiritual connection with the old
woman whose “deaf and dumb” son was killed during the Emergency.
· These
are post
colonial novels and both have been written on the theme of national
freedom struggle. The manner in which Indian National Movement is
translated as spiritual struggle for liberation is compared with
the way Ngugi uses a Christian metaphor of death and
resurrection of Christ as a metaphor for the Mau Mau Freedom Movement
in Kenya. Both novels shows the atrocities inflicted upon the natives who are
tortured and suffer all kinds of privations. The torture on them further
strengthen and the people’s resolve to fight for freedom.
· “In both novels the characters are infused
with the same spirits of religiosity and spiritualism. The role of mythology in
both the novels is similar.”
...
SO WHAT?
Africa also got independence and India got independence
as well. Africans used violence and India took an oath of non-violence largely.
What was more important- Violence, non-violence or independence? Well it is independence
that matters. And many a time we try to privilege non-violence over violence.
But is it so? Does India have independence just of non-violence and higher philosophy
that we use to talk about? No. Partially it might be true also but by n large
it is not the fact.
It is the world war who played vital role in shaping
independence.
And still, it is not the end of discussion. Are we
capable enough for independence or not. Today we have democracy in India. But
we all are aware of consequences of democracy. Here, voting gets selling. And we
do not follow right path of democracy.
What is most important
in democracy is –
1.Healthy state of mind
2.Economic settlement
3.Education
Without these three things, we will not be
considered ELIGIBLE for democracy. Why is this important? Because if it is not
there than our own people will start ruling over us. One observation says that
now White people with coat have stopped ruling but coat has got brown skin
people. Corruption, fake politicians are the result what we have got for
independence.
One thing was discussed that whether “SU-RAAJ” is
more important or “SWA-RAAJ” is more important. Ant that that conflict is this –
“GOOD GOVERNANCE” OR “SELF-GOVERNANCE”.
It was not that that somebody has ruled over other
place for the first time. If we see the history, we may come to know that it
have remained the tradition of the world since very long. We claim India as “OUR
OWN MOTHERLAND”. But as we know we are the generation of “ARYANS”. Aryans do
not belong to India; its origin is not there in India. They have come from Asiatic
part. They made “DRAVIDIANS” (the actual natives) to go and live in southern
part of India. And we lived here for thousands of year. So these have been the
tradition.
And British Governance have provided us many things
like English education system, technology; they helped pulling us out from our
dark ages. So it was not that staunch.
…Concluding
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